{"created":"2023-06-19T10:27:28.459396+00:00","id":315,"links":{},"metadata":{"_buckets":{"deposit":"13862811-f1af-4fb9-ae54-588b00527190"},"_deposit":{"created_by":13,"id":"315","owners":[13],"pid":{"revision_id":0,"type":"depid","value":"315"},"status":"published"},"_oai":{"id":"oai:kusw.repo.nii.ac.jp:00000315","sets":["39:38"]},"author_link":["176"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2008-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"11","bibliographicPageEnd":"28","bibliographicPageStart":"19","bibliographic_titles":[{"bibliographic_title":"関西福祉大学研究紀要"},{"bibliographic_title":"The Journal of Kansai University of Social Welfare","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"エジソンが録音機器を1877年に発明した12年後，ブラームスがピアノで〈ハンガリー舞曲第1番〉をシリンダー録音し，後で「ブラームス」と叫んでいる声を放送で聴いた記憶があるが，この声は自身によるものか，他者が紹介している声なのか判別が難しいとされている.この頃，ドイツ音楽の巨匠の3大Bの一人である彼が，日本音楽と出会い，興味を示したといわれている.白いあごひげを蓄えたブラームスが，妙齢な女性の奏でる『六段』の箏の調べに耳を傾け，楽譜に見入る姿が四曲一隻の屏風に描かれている.プラームスの真髄は，ドイツ音楽そのものの伝統が隅々にまで浸透していることは言うまでもない.慎重な計画性と入念な仕上げは，重厚な表現を生み，絶対的な孤独や諦念に満ちた抒情性と秘められた憧れの表出が，質朴な人間性となじみながら深化し，浄福の味わいを持つに至っている.その彼が，日本文化の到来に刺激を受け，作品構造のひとかけらに，にじませていったものがあるのではないかと，その発見に取り組むことにした.そこで，1888年頃，『六段』をウィーンで聴取した年に一致する彼の作品《二重協奏曲》に焦点をあて，日本文化の作風への波及について論じたものである.","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"原著","subitem_heading_language":"ja"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"関西福祉大学研究会"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13449451","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古瀬, 徳雄"}],"nameIdentifiers":[{"nameIdentifier":"176","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000009478613","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000009478613"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-07-03"}],"displaytype":"detail","filename":"11_03_古瀬.pdf","filesize":[{"value":"533.2 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"本文（PDFファイル）","url":"https://kusw.repo.nii.ac.jp/record/315/files/11_03_古瀬.pdf"},"version_id":"807d98d6-3b60-4c36-a54c-d12170e5cfa3"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"二重協奏曲","subitem_subject_scheme":"Other"},{"subitem_subject":"六段","subitem_subject_scheme":"Other"},{"subitem_subject":"戸田伯爵夫人","subitem_subject_scheme":"Other"},{"subitem_subject":"和声的短2度","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"J.Brahmsの日本文化の影響による作品についての試論","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"J.Brahmsの日本文化の影響による作品についての試論"},{"subitem_title":"A study of the influence of Japanese culture on the J.Brahms' works","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"13","path":["38"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-07-03"},"publish_date":"2013-07-03","publish_status":"0","recid":"315","relation_version_is_last":true,"title":["J.Brahmsの日本文化の影響による作品についての試論"],"weko_creator_id":"13","weko_shared_id":-1},"updated":"2023-06-19T10:47:54.062210+00:00"}