{"created":"2023-06-19T10:27:28.159506+00:00","id":311,"links":{},"metadata":{"_buckets":{"deposit":"7d68dceb-6dcd-4db6-9170-a4f892529bdb"},"_deposit":{"created_by":13,"id":"311","owners":[13],"pid":{"revision_id":0,"type":"depid","value":"311"},"status":"published"},"_oai":{"id":"oai:kusw.repo.nii.ac.jp:00000311","sets":["39:37"]},"author_link":["176"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2004-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"7","bibliographicPageEnd":"44","bibliographicPageStart":"21","bibliographic_titles":[{"bibliographic_title":"関西福祉大学研究紀要"},{"bibliographic_title":"The Journal of Kansai University of Social Welfare","bibliographic_titleLang":"en"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"ラフマニノフの無伴奏混声合唱曲『晩祷』作品37(1915)は、ロシア正教会の流れを背景に誕生した。宗教音楽、中でも教会音楽という限られた分野で、ロシア正教会の音楽を身近に感じさせてくれる傑作となっている。カトリック教会同様、ロシア正教会も長い間、単旋律による聖歌が歌われていたが、17世紀に始めてロシア独自の多声による礼拝音楽が現れ、そこには西欧の教会音楽の影響も随所に見られ、18世紀には多声と西欧の折衷的になり、19世紀前半にはペテルブルクを中心にドイツ的和声法を取り入れた無伴奏合唱形式を完成させた。19世紀後半から20世紀初頭にかけては、典礼音楽の改革運動があり、単旋聖歌を単純で類型的な和声付けでさらに高い芸術性を目指そうとした。この時期に、ラフマニノフの作曲した典礼音楽が『晩祷』である。この感動的な『晩祷』の作品を分析するにあたって、西欧音楽の業績を受け継いだ面と、それと異なり西欧音楽の規範とは相反した方向による対比的な二つの視座に立って、作品の検証を審らかにし、芸術的に孤高で、より斬新な響きを導き出すに至った、その構造の仕組みと原点を探っていく。","subitem_description_type":"Abstract"}]},"item_10002_heading_23":{"attribute_name":"見出し","attribute_value_mlt":[{"subitem_heading_banner_headline":"論文","subitem_heading_language":"ja"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"関西福祉大学研究会"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"13449451","subitem_source_identifier_type":"ISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古瀬, 徳雄"}],"nameIdentifiers":[{"nameIdentifier":"176","nameIdentifierScheme":"WEKO"},{"nameIdentifier":"9000009478613","nameIdentifierScheme":"CiNii ID","nameIdentifierURI":"http://ci.nii.ac.jp/nrid/9000009478613"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2013-07-03"}],"displaytype":"detail","filename":"7_03_古瀬.pdf","filesize":[{"value":"953.3 kB"}],"format":"application/pdf","licensetype":"license_11","mimetype":"application/pdf","url":{"label":"本文（PDFファイル）","url":"https://kusw.repo.nii.ac.jp/record/311/files/7_03_古瀬.pdf"},"version_id":"5b31ea08-dcf9-46aa-bafc-c04f23752dee"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ロシア正教","subitem_subject_scheme":"Other"},{"subitem_subject":"プラガル終止","subitem_subject_scheme":"Other"},{"subitem_subject":"音楽の非西欧化","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"Rakhmaninovの『晩祷』op.37における下属和音の優位性について","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"Rakhmaninovの『晩祷』op.37における下属和音の優位性について"},{"subitem_title":"A Superiority of Subdominantical Function on The All-Night Vigil op.37 by Rakhmaninov","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"13","path":["37"],"pubdate":{"attribute_name":"公開日","attribute_value":"2013-07-03"},"publish_date":"2013-07-03","publish_status":"0","recid":"311","relation_version_is_last":true,"title":["Rakhmaninovの『晩祷』op.37における下属和音の優位性について"],"weko_creator_id":"13","weko_shared_id":-1},"updated":"2023-06-19T10:48:30.916726+00:00"}